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Canon EOS R vs. Sony a7 III for video Which camera is best for video? In this comparison we test the 1080p and 4k, along with rolling shutter, color science and auto focus for video.
With a 30MP sensor, fantastic color reproduction and on-sensor autofocus, the EOS R can produce some beautiful photographs with pinpoint-accurate focus. But it's Canon's first mirrorless full-frame camera, and in many ways, it shows. The ergonomics feel unfinished, and for the same or less money, you can find better video, more dynamic range and faster burst speeds elsewhere. [...] New RF lenses are simply spectacular.
The Digital Picture
In addition to being packed full of the latest technology and features, the EOS R comes with a new lens mount, the first new Canon full frame lens mount in over 30 years. [...] Canon aimed this first R model at a very broad market, leaving out a rather small number of advanced features such as a very high drive speed when focus-tracking, in-body image stabilization, dual memory card slots and ultra-high resolution, but keeping the price at a very attractive level.
It is a full-frame mirrorless camera that both impresses and disappoints. On the plus-side it delivers good-looking photos, has a promising new mount with two exotic lenses at launch, great video autofocus, and the best performance from adapted EF lenses on a mirrorless camera. On the downside, there’s no built-in stabilisation, only a single SD card slot, severely cropped 4k video, modest action shooting capabilities, and lacklustre face and eye-detection.
It is a very good camera in an absolute sense, and in many ways is a more mature first full-frame mirrorless than what many expected. In a comparative sense, however, it feels a generation behind where Sony is with their third-gen a7 models. There are still a number of valid reasons to choose an EOS R, however, particularly if you are already invested in Canon glass [...] What gives me the most hope is the genuinely interesting development around the new RF mount.
HDBlog Risulta castrata sul fronte video e non so se i limiti descritti possano esser superati con qualche semplice upgrade futuro del firmware. A mio avviso risulta quindi difficile da consigliare ai videomaker vista l'abbondanza sul mercato. Diverso il discorso per chi lavora prettamente con la fotografia e non ha nessuna voglia di cambiare il proprio parco lenti, grazie agli adattatori si tengono infatti spalancate le porte delle tantissime ottiche EF.